I Got It
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 58/100
- Pop
- 1/100
- Length
- 7:21
- Released
- 2013
- Genre
- Tech House
- Loudness
- -6.3 dB
- Dynamics
- 13.8 dB
- ISRC
- GBPQS1200049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Got It is a club-tempo tech house track in D♭ major (3B) at 124 BPM. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. Brighter than 97% of Walker & Royce's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 91% of Walker & Royce's catalogue
- Energy:
- calmer than 90% of Walker & Royce's catalogue
- Tempo:
- slower than 88% of Walker & Royce's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I Got It in?
I Got It by Walker & Royce is in D♭ major, or 3B on the Camelot wheel.
What BPM is I Got It?
I Got It runs at 124 BPM, a club-tempo track.
What mixes well with I Got It?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I Got It good for peak time?
With energy 58 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Walker & Royce
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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