Lucky by Eli Brown cover art

30s preview

Key
8B · C major
BPM
125
Open Key
1d
Energy
93/100
Pop
6/100
Length
6:55
Released
2018
Album
Lucky EP
Genre
Tech House
Label
Moon Harbour Recordings
Loudness
-6.7 dB
Dynamics
10.3 dB
ISRC
DEX041800076

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in C major (8B), Lucky is a club-tempo tech house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Slower than 96% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 91% of Eli Brown's catalogue
Low end:
more bass-heavy than 85% of Eli Brown's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood54Balanced
Groove81
Acoustic0
Instrumental88
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Lucky in?

Lucky by Eli Brown is in C major, or 8B on the Camelot wheel.

What BPM is Lucky?

Lucky runs at 125 BPM, a club-tempo track.

What mixes well with Lucky?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Lucky good for peak time?

With energy 93 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Eli Brown

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track