Ole Ola by Dennis Cruz cover art

30s preview

Key
1B · B major
BPM
125
Open Key
6d
Energy
93/100
Pop
0/100
Length
7:41
Released
2014
Album
Ole Ola / Turn It On
Genre
Tech House
Loudness
-7.3 dB
Dynamics
11.6 dB
ISRC
DEH741310184

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Ole Ola: club-tempo tech house, B major (1B), 125 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Dennis Cruz's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 95% of Dennis Cruz's catalogue
Energy:
hotter than 91% of Dennis Cruz's catalogue
Low end:
more treble-tilted than 90% of Dennis Cruz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood85Bright
Groove81
Acoustic0
Instrumental7
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Ole Ola in?

Ole Ola by Dennis Cruz is in B major, or 1B on the Camelot wheel.

What BPM is Ole Ola?

Ole Ola runs at 125 BPM, a club-tempo track.

What mixes well with Ole Ola?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Ole Ola good for peak time?

With energy 93 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Dennis Cruz

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track