In The Dance - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 100/100
- Pop
- 7/100
- Length
- 6:09
- Released
- 2018
- Album
- In The Dance
- Genre
- Tech House
- Label
- Toolroom Records
- Loudness
- -4.5 dB
- Dynamics
- 10.3 dB
- ISRC
- GBJAJ1801463
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In The Danceoriginal9B · 125
At 125 BPM in G major (9B), In The Dance - Original Mix is a club-tempo tech house production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2018 production that still circulates in sets. Hotter than 97% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 96% of Eli Brown's catalogue
- Brightness:
- brighter than 96% of Eli Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is In The Dance - Original Mix in?
In The Dance - Original Mix by Eli Brown is in G major, or 9B on the Camelot wheel.
What BPM is In The Dance - Original Mix?
In The Dance - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with In The Dance - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is In The Dance - Original Mix good for peak time?
With energy 100 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Eli Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
