Howk by Patrick Topping cover art
Key
12A · D♭ minor
BPM
125
Open Key
5m
Energy
100/100
Pop
10/100
Length
6:12
Released
2016
Genre
Tech House
Loudness
-8.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Howk runs 125 BPM in D♭ minor (12A), a club-tempo tech house record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. Hotter than 95% of Patrick Topping's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 80% of Patrick Topping's catalogue
Tempo:
slower than 78% of Patrick Topping's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood41Balanced
Groove81
Acoustic0
Instrumental94
Live4
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Howk in?

Howk by Patrick Topping is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Howk?

Howk runs at 125 BPM, a club-tempo track.

What mixes well with Howk?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Howk good for peak time?

With energy 100 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Patrick Topping

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track