Time to Say Goodbye - Radio-Edit
30s preview
- BPM
- 131
- Open Key
- 4m
- Energy
- 96/100
- Pop
- 9/100
- Length
- 2:12
- Released
- 2024
- Album
- Pump It
- Genre
- Tech House
- Loudness
- -3.5 dB
- Dynamics
- 13.3 dB
- ISRC
- DEH742428312
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Time to Say Goodbye - Radio-Edit runs 131 BPM in F♯ minor (11A), a peak-time tempo tech house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 84% of Eddy M's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 84% of Eddy M's catalogue
- Tempo:
- faster than 81% of Eddy M's catalogue
- Groove:
- groovier than 80% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Time to Say Goodbye - Radio-Edit in?
Time to Say Goodbye - Radio-Edit by Eddy M is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Time to Say Goodbye - Radio-Edit?
Time to Say Goodbye - Radio-Edit runs at 131 BPM, a peak-time tempo track.
What mixes well with Time to Say Goodbye - Radio-Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Time to Say Goodbye - Radio-Edit good for peak time?
With energy 96 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 131 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
