Give Me Your Love - Mi-Son Instrumental Mix by Carl Cox cover art

Give Me Your Love - Mi-Son Instrumental Mix

Carl Cox

30s preview

Key
3A · B♭ minor
BPM
131
Open Key
8m
Energy
94/100
Pop
0/100
Length
4:00
Released
2005
Album
Give Me Your Love
Genre
House
Label
23rd Century Records
Loudness
-6.1 dB
Dynamics
12.8 dB
ISRC
GBJJA0500018

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 132 BPM), this version runs 1 BPM slower in the same key.

Give Me Your Love - Mi-Son Instrumental Mix runs 131 BPM in B♭ minor (3A), a peak-time tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2005 production that still circulates in sets. More underground than 99% of Carl Cox's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 88% of Carl Cox's catalogue
Groove:
less groove-driven than 79% of Carl Cox's catalogue
Low end:
more treble-tilted than 79% of Carl Cox's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood73Bright
Groove65
Acoustic0
Instrumental88
Live21
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Give Me Your Love - Mi-Son Instrumental Mix in?

Give Me Your Love - Mi-Son Instrumental Mix by Carl Cox is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Give Me Your Love - Mi-Son Instrumental Mix?

Give Me Your Love - Mi-Son Instrumental Mix runs at 131 BPM, a peak-time tempo track.

What mixes well with Give Me Your Love - Mi-Son Instrumental Mix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Give Me Your Love - Mi-Son Instrumental Mix good for peak time?

With energy 94 out of 100 at 131 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 131 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 131 — beatmatch without a big tempo pull.

More house

More from Carl Cox

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track