City Lights
- BPM
- 125
- Open Key
- 6m
- Energy
- 64/100
- Pop
- 22/100
- Length
- 3:50
- Released
- 2025
- Genre
- Tech House
- Loudness
- -8.2 dB
- ISRC
- DEH742502342
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, City Lights sits in A♭ minor (1A) at 125 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Less groove-driven than 99% of Eddy M's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 97% of Eddy M's catalogue
- Energy:
- calmer than 96% of Eddy M's catalogue
- Tempo:
- slower than 88% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is City Lights in?
City Lights by Eddy M is in A♭ minor, or 1A on the Camelot wheel.
What BPM is City Lights?
City Lights runs at 125 BPM, a club-tempo track.
What mixes well with City Lights?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is City Lights good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
