Orbital Frame
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 3/100
- Length
- 8:11
- Released
- 2018
- Genre
- Progressive House
- Loudness
- -5.2 dB
- Dynamics
- 13.6 dB
- ISRC
- USYBL1800561
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Orbital Frame is a club-tempo progressive house track in G major (9B) at 126 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. Hotter than 97% of Durante's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 82% of Durante's catalogue
- Tempo:
- faster than 81% of Durante's catalogue
- Groove:
- groovier than 78% of Durante's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 23%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Orbital Frame in?
Orbital Frame by Durante is in G major, or 9B on the Camelot wheel.
What BPM is Orbital Frame?
Orbital Frame runs at 126 BPM, a club-tempo track.
What mixes well with Orbital Frame?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Orbital Frame good for peak time?
With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Durante
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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