I See You There - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 110
- Open Key
- 9m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2017
- Album
- I See You There
- Genre
- House
- Loudness
- -10.1 dB
- Dynamics
- 12.8 dB
- ISRC
- QM4TW1779199
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 110 BPM in F minor (4A), I See You There - Original Mix is a mid-tempo house production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. More underground than 99% of Dosem's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 98% of Dosem's catalogue
- Brightness:
- darker than 94% of Dosem's catalogue
- Groove:
- less groove-driven than 93% of Dosem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is I See You There - Original Mix in?
I See You There - Original Mix by Dosem is in F minor, or 4A on the Camelot wheel.
What BPM is I See You There - Original Mix?
I See You There - Original Mix runs at 110 BPM, a mid-tempo track.
What mixes well with I See You There - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is I See You There - Original Mix good for peak time?
With energy 64 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 110 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
More from Dosem
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
