
You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 89/100
- Pop
- 23/100
- Length
- 8:58
- Released
- 2021
- Album
- Philadelphia International Records: Dimitri From Paris Remixes
- Genre
- Disco
- Loudness
- -5.8 dB
- Dynamics
- 17.4 dB
- ISRC
- USSM12106911
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A club-tempo disco cut, You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend sits in F minor (4A) at 123 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 17 dB). Groovier than 98% of Dimitri From Paris's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 98% of Dimitri From Paris's catalogue
- Reach:
- better known than 91% of Dimitri From Paris's catalogue
- Brightness:
- brighter than 78% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend in?
You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend by Dimitri From Paris is in F minor, or 4A on the Camelot wheel.
What BPM is You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend?
You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend runs at 123 BPM, a club-tempo track.
What mixes well with You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is You Can't Hide from Yourself - Dimitri From Paris Super Disco Blend good for peak time?
With energy 89 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More disco
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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