You Got the Groove - Original Mix
30s preview
- Key
- 1B · B major
- BPM
- 121
- Open Key
- 6d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 7:02
- Released
- 2015
- Album
- A Better Day
- Genre
- Tech House
- Label
- Dee-P-erfect
- Loudness
- -11.1 dB
- Dynamics
- 11.7 dB
- ISRC
- ITA061300970
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Got the Groove - Original Mix: club-tempo tech house, B major (1B), 121 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More underground than 99% of Dennis Cruz's catalogue.
- Tempo:
- slower than 97% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is You Got the Groove - Original Mix in?
You Got the Groove - Original Mix by Dennis Cruz is in B major, or 1B on the Camelot wheel.
What BPM is You Got the Groove - Original Mix?
You Got the Groove - Original Mix runs at 121 BPM, a club-tempo track.
What mixes well with You Got the Groove - Original Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is You Got the Groove - Original Mix good for peak time?
With energy 71 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 121 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
