Last train
- BPM
- 125
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 2/100
- Length
- 7:29
- Released
- 2015
- Album
- Last Train
- Genre
- Techno
- Label
- Sola_mente Records
- Loudness
- -10.3 dB
- ISRC
- DEKB71485833
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Last train is a club-tempo techno track in D♭ major (3B) at 125 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Less groove-driven than 97% of Deborah de Luca's catalogue.
- Reach:
- more underground than 89% of Deborah de Luca's catalogue
- Tempo:
- slower than 88% of Deborah de Luca's catalogue
- Energy:
- calmer than 82% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Last train in?
Last train by Deborah de Luca is in D♭ major, or 3B on the Camelot wheel.
What BPM is Last train?
Last train runs at 125 BPM, a club-tempo track.
What mixes well with Last train?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Last train good for peak time?
With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
