City Lights - Dub
30s preview
- BPM
- 125
- Open Key
- 5m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 6:28
- Released
- 2007
- Album
- City Lights
- Genre
- Progressive House
- Loudness
- -7.1 dB
- Dynamics
- 12.2 dB
- ISRC
- DEH740700624
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- City Lights (Zi Abre Clicky mix)original9B · 125
- City Lights - Vocal Mixoriginal12A · 125
- City Lightsoriginal12A · 125
- City Lights - Zi-Abre a.k.a. Shlomi Aber "Clicky Mix"original9B · 125
Against the original (9B at 125 BPM), this version holds the same tempo and moves the key from 9B to 12A.
At 125 BPM in D♭ minor (12A), City Lights - Dub is a club-tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Guy Mantzur's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 81% of Guy Mantzur's catalogue
- Groove:
- less groove-driven than 77% of Guy Mantzur's catalogue
- Energy:
- calmer than 76% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is City Lights - Dub in?
City Lights - Dub by Guy Mantzur is in D♭ minor, or 12A on the Camelot wheel.
What BPM is City Lights - Dub?
City Lights - Dub runs at 125 BPM, a club-tempo track.
What mixes well with City Lights - Dub?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is City Lights - Dub good for peak time?
With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
