I Believe - Dandi & Ugo and Steve Soprani Remix by Deborah de Luca cover art

I Believe - Dandi & Ugo and Steve Soprani Remix

Deborah de Luca

30s preview

Key
7B · F major
BPM
132
Open Key
12d
Energy
85/100
Pop
4/100
Length
6:29
Released
2020
Album
I Believe
Genre
Techno
Label
Sola_mente Records
Loudness
-7.6 dB
Dynamics
7.1 dB
ISRC
DEUD42015477

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 124 BPM), this version runs 8 BPM faster and moves the key from 4B to 7B.

A peak-time tempo techno cut, I Believe - Dandi & Ugo and Steve Soprani Remix sits in F major (7B) at 132 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 95% of Deborah de Luca's catalogue. For programming, treat it as a peak-time weapon.

Reach:
more underground than 82% of Deborah de Luca's catalogue
Low end:
more bass-heavy than 76% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood24Dark
Groove59
Acoustic0
Instrumental91
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is I Believe - Dandi & Ugo and Steve Soprani Remix in?

I Believe - Dandi & Ugo and Steve Soprani Remix by Deborah de Luca is in F major, or 7B on the Camelot wheel.

What BPM is I Believe - Dandi & Ugo and Steve Soprani Remix?

I Believe - Dandi & Ugo and Steve Soprani Remix runs at 132 BPM, a peak-time tempo track.

What mixes well with I Believe - Dandi & Ugo and Steve Soprani Remix?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is I Believe - Dandi & Ugo and Steve Soprani Remix good for peak time?

With energy 85 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#Track

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 132 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#Track

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More from Deborah de Luca

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track