Dead or Alive by DC Breaks cover art

Dead or Alive

DC Breaks

30s preview

Key
9A · E minor
BPM
174
Half-time
87
Open Key
2m
Energy
99/100
Pop
0/100
Length
4:20
Released
2017
Genre
Drum N Bass
Loudness
-1.3 dB
Dynamics
9.6 dB
ISRC
GB5KW1700912

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Dead or Alive sits in E minor (9A) at 174 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2017 production that still circulates in sets. More underground than 99% of DC Breaks's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 92% of DC Breaks's catalogue
Tempo:
slower than 86% of DC Breaks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood17Dark
Groove47
Acoustic0
Instrumental0
Live20
Speech17
darkrelaxedvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Dead or Alive in?

Dead or Alive by DC Breaks is in E minor, or 9A on the Camelot wheel.

What BPM is Dead or Alive?

Dead or Alive runs at 174 BPM.

What mixes well with Dead or Alive?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Dead or Alive good for peak time?

With energy 99 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 174 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from DC Breaks

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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