Take That
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3d
- Energy
- 98/100
- Pop
- 11/100
- Length
- 5:13
- Released
- 2011
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- Dynamics
- 9.4 dB
- ISRC
- GB5KW2101220
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 174 BPM in D major (10B), Take That is a drum n bass production. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Darker than 88% of DC Breaks's catalogue.
- Tempo:
- slower than 86% of DC Breaks's catalogue
- Reach:
- better known than 84% of DC Breaks's catalogue
- Low end:
- more bass-heavy than 84% of DC Breaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Take That in?
Take That by DC Breaks is in D major, or 10B on the Camelot wheel.
What BPM is Take That?
Take That runs at 174 BPM.
What mixes well with Take That?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Take That good for peak time?
With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 174 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from DC Breaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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