Through the Looking Glass by Logistics cover art

Through the Looking Glass

Logistics

Key
10A · B minor
BPM
174
Half-time
87
Open Key
3m
Energy
98/100
Pop
0/100
Length
5:08
Released
2007
Genre
Drum N Bass
Loudness
-5.9 dB
ISRC
GBCJY0482002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in B minor (10A), Through the Looking Glass is a drum n bass production. The feel is bright and euphoric. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of Logistics's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
brighter than 89% of Logistics's catalogue
Energy:
hotter than 76% of Logistics's catalogue
Tempo:
slower than 76% of Logistics's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood75Bright
Groove48
Acoustic0
Instrumental89
Live73
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Through the Looking Glass in?

Through the Looking Glass by Logistics is in B minor, or 10A on the Camelot wheel.

What BPM is Through the Looking Glass?

Through the Looking Glass runs at 174 BPM.

What mixes well with Through the Looking Glass?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Through the Looking Glass good for peak time?

With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Logistics

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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