Watermelon - Tim Engelhardt Remix
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 8:52
- Released
- 2015
- Album
- Watermelon
- Genre
- Deep House
- Loudness
- -9.2 dB
- Dynamics
- 10.4 dB
- ISRC
- DEY470934070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Watermelonoriginal4A · 121
- Watermelon - Niju Remixremix4A · 120
Against the original (4A at 121 BPM), this version runs 2 BPM faster and moves the key from 4A to 3B.
Watermelon - Tim Engelhardt Remix: club-tempo deep house, D♭ major (3B), 123 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of David Hasert's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 85% of David Hasert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Watermelon - Tim Engelhardt Remix in?
Watermelon - Tim Engelhardt Remix by David Hasert is in D♭ major, or 3B on the Camelot wheel.
What BPM is Watermelon - Tim Engelhardt Remix?
Watermelon - Tim Engelhardt Remix runs at 123 BPM, a club-tempo track.
What mixes well with Watermelon - Tim Engelhardt Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Watermelon - Tim Engelhardt Remix good for peak time?
With energy 59 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
![Barsoom (Original Mix] by Kobana cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ecdfc709b1486eeef08e.webp){kind=small}
More from David Hasert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
