Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix' by Chaim cover art

Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix'

Chaim

30s preview

Key
8A · A minor
BPM
123
Open Key
1m
Energy
59/100
Pop
0/100
Length
7:19
Released
2012
Album
Robots on Meth
Genre
Tech House
Loudness
-12.9 dB
Dynamics
11.6 dB
ISRC
DEAE61101118

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix' runs 123 BPM in A minor (8A), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Chaim's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 94% of Chaim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood80Bright
Groove77
Acoustic14
Instrumental85
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix' in?

Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix' by Chaim is in A minor, or 8A on the Camelot wheel.

What BPM is Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix'?

Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix' runs at 123 BPM, a club-tempo track.

What mixes well with Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix'?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Robots On Meth (David K 'BubbleMix') - David K 'BubbleMix' good for peak time?

With energy 59 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Chaim

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track