Hi, It's Me
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 5:53
- Released
- 2018
- Genre
- House
- Loudness
- -12.9 dB
- Dynamics
- 19.2 dB
- ISRC
- GBK6Y1810602
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hi, It's Me runs 125 BPM in B minor (10A), a club-tempo house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2018 production that still circulates in sets. More underground than 99% of Darius Syrossian's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 94% of Darius Syrossian's catalogue
- Groove:
- groovier than 94% of Darius Syrossian's catalogue
- Brightness:
- darker than 93% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Hi, It's Me in?
Hi, It's Me by Darius Syrossian is in B minor, or 10A on the Camelot wheel.
What BPM is Hi, It's Me?
Hi, It's Me runs at 125 BPM, a club-tempo track.
What mixes well with Hi, It's Me?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hi, It's Me good for peak time?
With energy 62 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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