Raw (Filterheadz Rmx) by D-Unity cover art

Raw (Filterheadz Rmx)

D-Unity

30s preview

Key
11A · F♯ minor
BPM
126
Open Key
4m
Energy
98/100
Pop
3/100
Length
7:30
Released
2013
Album
Raw
Genre
Techno
Loudness
-4.3 dB
Dynamics
11.8 dB
ISRC
ITS251300044

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Raworiginal1A · 124

Against the original (1A at 124 BPM), this version runs 2 BPM faster and moves the key from 1A to 11A.

A club-tempo techno cut, Raw (Filterheadz Rmx) sits in F♯ minor (11A) at 126 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. Less groove-driven than 93% of D-Unity's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 92% of D-Unity's catalogue
Brightness:
brighter than 88% of D-Unity's catalogue
Reach:
better known than 86% of D-Unity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood53Balanced
Groove64
Acoustic0
Instrumental91
Live62
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Raw (Filterheadz Rmx) in?

Raw (Filterheadz Rmx) by D-Unity is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Raw (Filterheadz Rmx)?

Raw (Filterheadz Rmx) runs at 126 BPM, a club-tempo track.

What mixes well with Raw (Filterheadz Rmx)?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Raw (Filterheadz Rmx) good for peak time?

With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from D-Unity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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