Walk The Walk - Original Mix
30s preview
- BPM
- 127
- Open Key
- 6m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2007
- Album
- The Coming Storm
- Genre
- Techno
- Label
- Sino
- Loudness
- -10.7 dB
- Dynamics
- 11.4 dB
- ISRC
- HKC550700056
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Walk The Walk - Original Mix runs 127 BPM in A♭ minor (1A), a peak-time tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2007 production that still circulates in sets. More underground than 99% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Christian Smith's catalogue
- Energy:
- hotter than 83% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Walk The Walk - Original Mix in?
Walk The Walk - Original Mix by Christian Smith is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Walk The Walk - Original Mix?
Walk The Walk - Original Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Walk The Walk - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Walk The Walk - Original Mix good for peak time?
With energy 93 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
