
Maggie (original mix)
30s preview
- BPM
- 123
- Open Key
- 4d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:07
- Released
- 2008
- Genre
- Techno
- Loudness
- -7.4 dB
- Dynamics
- 17.5 dB
- ISRC
- NLFC80800008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Maggie (original mix): club-tempo techno, A major (11B), 123 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). A 2008 production that still circulates in sets. Darker than 99% of Chris Liebing's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Chris Liebing's catalogue
- Low end:
- more treble-tilted than 97% of Chris Liebing's catalogue
- Tempo:
- slower than 91% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Maggie (original mix) in?
Maggie (original mix) by Chris Liebing is in A major, or 11B on the Camelot wheel.
What BPM is Maggie (original mix)?
Maggie (original mix) runs at 123 BPM, a club-tempo track.
What mixes well with Maggie (original mix)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Maggie (original mix) good for peak time?
With energy 72 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 123 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.