Drop It - Charlotte de Witte Rework
30s preview
- Key
- 9B · G major
- BPM
- 136
- Open Key
- 2d
- Energy
- 97/100
- Pop
- 45/100
- Length
- 5:44
- Released
- 2025
- Album
- Drop It (Charlotte de Witte Rework)
- Genre
- Techno
- Loudness
- -5.8 dB
- Dynamics
- 8.7 dB
- ISRC
- BE4JP2500034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Drop It - Charlotte de Witte Rework is a driving up-tempo techno track in G major (9B) at 136 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 89% of Charlotte de Witte's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 82% of Charlotte de Witte's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Drop It - Charlotte de Witte Rework in?
Drop It - Charlotte de Witte Rework by Charlotte de Witte is in G major, or 9B on the Camelot wheel.
What BPM is Drop It - Charlotte de Witte Rework?
Drop It - Charlotte de Witte Rework runs at 136 BPM, a driving up-tempo track.
What mixes well with Drop It - Charlotte de Witte Rework?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Drop It - Charlotte de Witte Rework good for peak time?
With energy 97 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 136 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More techno
More from Charlotte de Witte
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
