Klonk, Pt. 2 by Surgeon cover art

Klonk, Pt. 2

Surgeon

30s preview

Key
12A · D♭ minor
BPM
136
Open Key
5m
Energy
95/100
Pop
2/100
Length
5:42
Released
2005
Album
Klonk
Genre
Techno
Label
Dynamic Tension Records
Loudness
-6.6 dB
Dynamics
10.4 dB
ISRC
GB6SP0900066

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Klonk, Pt. 2 is a driving up-tempo techno track in D♭ minor (12A) at 136 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2005 production that still circulates in sets. Darker than 93% of Surgeon's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood4Dark
Groove78
Acoustic2
Instrumental91
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Klonk, Pt. 2 in?

Klonk, Pt. 2 by Surgeon is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Klonk, Pt. 2?

Klonk, Pt. 2 runs at 136 BPM, a driving up-tempo track.

What mixes well with Klonk, Pt. 2?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Klonk, Pt. 2 good for peak time?

With energy 95 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 136 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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