Goosebumps (original mix)
30s preview
- BPM
- 138
- Open Key
- 4d
- Energy
- 86/100
- Pop
- 1/100
- Length
- 7:08
- Released
- 2010
- Genre
- Trance
- Loudness
- -8.3 dB
- Dynamics
- 11.3 dB
- ISRC
- NLF711001666
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Goosebumps (original mix) is a driving up-tempo trance track in A major (11B) at 138 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. Calmer than 95% of Bryan Kearney's catalogue.
- Low end:
- more bass-heavy than 91% of Bryan Kearney's catalogue
- Brightness:
- darker than 89% of Bryan Kearney's catalogue
- Tempo:
- slower than 81% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Goosebumps (original mix) in?
Goosebumps (original mix) by Bryan Kearney is in A major, or 11B on the Camelot wheel.
What BPM is Goosebumps (original mix)?
Goosebumps (original mix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Goosebumps (original mix)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Goosebumps (original mix) good for peak time?
With energy 86 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 138 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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