Nährmedium - Remastered
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 68/100
- Pop
- 13/100
- Length
- 6:43
- Released
- 2007
- Album
- Die Maschinen sind Gestrandet
- Genre
- Minimal Techno
- Label
- Harthouse
- Loudness
- -10.2 dB
- Dynamics
- 8.5 dB
- ISRC
- DEKB72068101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in D♭ major (3B), Nährmedium - Remastered is a club-tempo minimal techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 93% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 87% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Nährmedium - Remastered in?
Nährmedium - Remastered by Boris Brejcha is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nährmedium - Remastered?
Nährmedium - Remastered runs at 125 BPM, a club-tempo track.
What mixes well with Nährmedium - Remastered?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nährmedium - Remastered good for peak time?
With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
