Inside Myself
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 43/100
- Pop
- 13/100
- Length
- 7:56
- Released
- 2015
- Album
- S.P.A.C.E.
- Genre
- Minimal Techno
- Label
- FCKNG SERIOUS
- Loudness
- -14.1 dB
- Dynamics
- 14.3 dB
- ISRC
- DEKB71456670
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Inside Myself is a club-tempo minimal techno track in B minor (10A) at 125 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 96% of Boris Brejcha's catalogue
- Energy:
- calmer than 93% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Inside Myself in?
Inside Myself by Boris Brejcha is in B minor, or 10A on the Camelot wheel.
What BPM is Inside Myself?
Inside Myself runs at 125 BPM, a club-tempo track.
What mixes well with Inside Myself?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Inside Myself good for peak time?
With energy 43 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
