Wellenreiter - 2.0
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 47/100
- Pop
- 7/100
- Length
- 7:35
- Released
- 2007
- Album
- Die Maschinen kontrollieren uns
- Genre
- Techno
- Label
- Moon Records
- Loudness
- -11.2 dB
- Dynamics
- 10.1 dB
- ISRC
- DEAZ30705203
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wellenreiteroriginal10A · 125
A club-tempo techno cut, Wellenreiter - 2.0 sits in E minor (9A) at 125 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 89% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 89% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Wellenreiter - 2.0 in?
Wellenreiter - 2.0 by Boris Brejcha is in E minor, or 9A on the Camelot wheel.
What BPM is Wellenreiter - 2.0?
Wellenreiter - 2.0 runs at 125 BPM, a club-tempo track.
What mixes well with Wellenreiter - 2.0?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Wellenreiter - 2.0 good for peak time?
With energy 47 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
