Amisette by Boris Brejcha cover art

30s preview

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
54/100
Pop
22/100
Length
9:19
Released
2016
Album
DJ Mixes Single Tracks
Genre
Minimal
Label
FCKNG SERIOUS
Loudness
-10.5 dB
Dynamics
11.7 dB
ISRC
DEKB71568358

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Amisette is a club-tempo minimal track in B♭ minor (3A) at 125 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 89% of Boris Brejcha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood53Balanced
Groove79
Acoustic0
Instrumental86
Live9
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Amisette in?

Amisette by Boris Brejcha is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Amisette?

Amisette runs at 125 BPM, a club-tempo track.

What mixes well with Amisette?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Amisette good for peak time?

With energy 54 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More minimal

More from Boris Brejcha

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track