Orion's Eyes
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2015
- Album
- Flux
- Genre
- Tech House
- Loudness
- -8.0 dB
- Dynamics
- 12.3 dB
- ISRC
- UK7FL1400033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Orion's Eyes sits in D♭ major (3B) at 125 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More underground than 99% of PAWSA's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 92% of PAWSA's catalogue
- Tempo:
- slower than 80% of PAWSA's catalogue
- Energy:
- calmer than 79% of PAWSA's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Orion's Eyes in?
Orion's Eyes by PAWSA is in D♭ major, or 3B on the Camelot wheel.
What BPM is Orion's Eyes?
Orion's Eyes runs at 125 BPM, a club-tempo track.
What mixes well with Orion's Eyes?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Orion's Eyes good for peak time?
With energy 54 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from PAWSA
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
