Fading to Silence - Jerome Syndeham Remix
- BPM
- 126
- Open Key
- 5m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2022
- Album
- Fading to Silence (Jerome Syndeham Remix)
- Genre
- Deep House
- Loudness
- -8.5 dB
- ISRC
- US83Z2222303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fading to Silenceoriginal9A · 120
- Fading to Silence - Synthapellaoriginal9A · 120
- Fading to Silence - Radio Editversion9A · 120
- Fading to Silence - Instrumental Mixoriginal9A · 120
- Fading to Silence - Sifa Remixremix9A · 120
- Fading to Silence - Re.You Remixremix1B · 120
Against the original (9A at 120 BPM), this version runs 6 BPM faster and moves the key from 9A to 12A.
A club-tempo deep house cut, Fading to Silence - Jerome Syndeham Remix sits in D♭ minor (12A) at 126 BPM. The mix is almost entirely instrumental. More underground than 99% of Boddhi Satva's catalogue.
- Tempo:
- faster than 91% of Boddhi Satva's catalogue
- Groove:
- less groove-driven than 78% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fading to Silence - Jerome Syndeham Remix in?
Fading to Silence - Jerome Syndeham Remix by Boddhi Satva is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Fading to Silence - Jerome Syndeham Remix?
Fading to Silence - Jerome Syndeham Remix runs at 126 BPM, a club-tempo track.
What mixes well with Fading to Silence - Jerome Syndeham Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Fading to Silence - Jerome Syndeham Remix good for peak time?
With energy 68 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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