On The Edge 2011 - Analog Effect Remix
- BPM
- 126
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 8:19
- Released
- 2010
- Album
- On The Edge 2011
- Genre
- Progressive House
- Loudness
- -10.8 dB
- ISRC
- NLQ881000794
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On The Edge 2011original1B · 126
- On The Edge 2011 - Deep Dubversion10A · 126
Against the original (1B at 126 BPM), this version holds the same tempo and moves the key from 1B to 3B.
On The Edge 2011 - Analog Effect Remix is a club-tempo progressive house track in D♭ major (3B) at 126 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue.
- Brightness:
- brighter than 94% of Eelke Kleijn's catalogue
- Groove:
- groovier than 92% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is On The Edge 2011 - Analog Effect Remix in?
On The Edge 2011 - Analog Effect Remix by Eelke Kleijn is in D♭ major, or 3B on the Camelot wheel.
What BPM is On The Edge 2011 - Analog Effect Remix?
On The Edge 2011 - Analog Effect Remix runs at 126 BPM, a club-tempo track.
What mixes well with On The Edge 2011 - Analog Effect Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is On The Edge 2011 - Analog Effect Remix good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Sun of Sound [Plan B] - Vocal Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.