Banane Mavoko - Real Clap Radio Version
30s preview
- Key
- 7A · D minor
- BPM
- 125
- Open Key
- 12m
- Energy
- 66/100
- Pop
- 9/100
- Length
- 5:01
- Released
- 2011
- Album
- Banane Mavoko (feat. Jah Rich)
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 10.2 dB
- ISRC
- GB2GW0900155
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Banane Mavoko - Real Clap Remixremix7B · 125
- Banane Mavoko - Dub Mixversion10B · 124
- Banane Mavoko - Jose Marquez Dubversion10A · 124
- Banane Mavoko - Justin Imperiale Remixremix10A · 124
- Banane Mavoko - Main Mixoriginal11A · 125
- Banane Mavoko - Instrumental Mixoriginal11A · 124
Against the original (11A at 125 BPM), this version holds the same tempo and moves the key from 11A to 7A.
Banane Mavoko - Real Clap Radio Version runs 125 BPM in D minor (7A), a club-tempo house record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. Groovier than 81% of Black Motion's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Banane Mavoko - Real Clap Radio Version in?
Banane Mavoko - Real Clap Radio Version by Black Motion is in D minor, or 7A on the Camelot wheel.
What BPM is Banane Mavoko - Real Clap Radio Version?
Banane Mavoko - Real Clap Radio Version runs at 125 BPM, a club-tempo track.
What mixes well with Banane Mavoko - Real Clap Radio Version?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Banane Mavoko - Real Clap Radio Version good for peak time?
With energy 66 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 125 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Black Motion
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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