Father to Be - Radio Edit
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 65/100
- Pop
- 5/100
- Length
- 4:38
- Released
- 2011
- Album
- Talking to the Drums
- Genre
- House
- Loudness
- -10.2 dB
- Dynamics
- 14.2 dB
- ISRC
- ZA10C1100001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Father to Beoriginal4B · 125
Against the original (4B at 125 BPM), this version holds the same tempo in the same key.
A club-tempo house cut, Father to Be - Radio Edit sits in A♭ major (4B) at 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More bass-heavy than 83% of Black Motion's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Father to Be - Radio Edit in?
Father to Be - Radio Edit by Black Motion is in A♭ major, or 4B on the Camelot wheel.
What BPM is Father to Be - Radio Edit?
Father to Be - Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Father to Be - Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Father to Be - Radio Edit good for peak time?
With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Feelin' Red [DC10] - Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c79e30f17ec604f18898.webp){kind=small}
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Black Motion
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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