Powers by Benny L cover art

Powers

Benny L

30s preview

Key
12A · D♭ minor
BPM
79
Double-time
158
Open Key
5m
Energy
99/100
Pop
26/100
Length
6:11
Released
2025
Genre
Drum N Bass
Loudness
1.3 dB
Dynamics
8.7 dB
ISRC
UKW3Z2501044

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Powers runs 79 BPM in D♭ minor (12A), a drum n bass record. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. Slower than 99% of Benny L's catalogue. For programming, treat it as a high-intensity peak cut.

Groove:
less groove-driven than 99% of Benny L's catalogue
Reach:
better known than 93% of Benny L's catalogue
Low end:
more treble-tilted than 88% of Benny L's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood14Dark
Groove26
Acoustic0
Instrumental87
Live30
Speech33

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Powers in?

Powers by Benny L is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Powers?

Powers runs at 79 BPM.

What mixes well with Powers?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Powers good for peak time?

With energy 99 out of 100 at 79 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 79 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 74-84 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 79 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Benny L

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 79 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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