Deadline Day by Benny L cover art

Deadline Day

Benny L

30s preview

Key
10A · B minor
BPM
175
Half-time
88
Open Key
3m
Energy
98/100
Pop
30/100
Length
4:56
Released
2025
Album
Deadline Day EP
Genre
Drum N Bass
Loudness
1.3 dB
Dynamics
11.0 dB
ISRC
UKW3Z2500326

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Deadline Day runs 175 BPM in B minor (10A), a drum n bass record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 97% of Benny L's catalogue. In a set it works best as an opener or closing-set piece.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood23Dark
Groove59
Acoustic1
Instrumental94
Live36
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Deadline Day in?

Deadline Day by Benny L is in B minor, or 10A on the Camelot wheel.

What BPM is Deadline Day?

Deadline Day runs at 175 BPM.

What mixes well with Deadline Day?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Deadline Day good for peak time?

With energy 98 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 175 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Benny L

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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