The River Runs Dry
- Key
- 8A · A minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 1m
- Energy
- 61/100
- Pop
- 2/100
- Length
- 6:26
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -6.0 dB
- ISRC
- TCADM1864766
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, The River Runs Dry sits in A minor (8A) at 174 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. Calmer than 97% of Bcee's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 90% of Bcee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The River Runs Dry in?
The River Runs Dry by Bcee is in A minor, or 8A on the Camelot wheel.
What BPM is The River Runs Dry?
The River Runs Dry runs at 174 BPM.
What mixes well with The River Runs Dry?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The River Runs Dry good for peak time?
With energy 61 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 174 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Bcee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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