The Falls
- Key
- 9A · E minor
- BPM
- 173
- Half-time
- 87
- Open Key
- 2m
- Energy
- 72/100
- Pop
- 15/100
- Length
- 4:50
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- ISRC
- NLCK41024213
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in E minor (9A), The Falls is a drum n bass production. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Calmer than 93% of Bcee's catalogue.
- Groove:
- less groove-driven than 85% of Bcee's catalogue
- Reach:
- better known than 81% of Bcee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Falls in?
The Falls by Bcee is in E minor, or 9A on the Camelot wheel.
What BPM is The Falls?
The Falls runs at 173 BPM.
What mixes well with The Falls?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is The Falls good for peak time?
With energy 72 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 173 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Bcee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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