Love for the Fallen
- Key
- 7A · D minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 12m
- Energy
- 87/100
- Pop
- 23/100
- Length
- 5:39
- Released
- 2020
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- ISRC
- GBRF52000047
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love for the Fallen - Satl Remixremix7B · 174
At 174 BPM in D minor (7A), Love for the Fallen is a drum n bass production. It reads as dark and driving. It is vocal-led. The master is loud and heavily compressed. Better known than 91% of Bcee's catalogue. For programming, treat it as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love for the Fallen in?
Love for the Fallen by Bcee is in D minor, or 7A on the Camelot wheel.
What BPM is Love for the Fallen?
Love for the Fallen runs at 174 BPM.
What mixes well with Love for the Fallen?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Love for the Fallen good for peak time?
With energy 87 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 174 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Bcee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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