Time Waits for No-One
30s preview
- Key
- 9B · G major
- BPM
- 131
- Open Key
- 2d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 4:42
- Released
- 2014
- Album
- Quack
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 13.2 dB
- ISRC
- QMSDU2000013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Time Waits for No-One runs 131 BPM in G major (9B), a peak-time tempo house record. Tonally it lands punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Armand Van Helden's catalogue
- Low end:
- more treble-tilted than 91% of Armand Van Helden's catalogue
- Tempo:
- faster than 84% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Time Waits for No-One in?
Time Waits for No-One by Armand Van Helden is in G major, or 9B on the Camelot wheel.
What BPM is Time Waits for No-One?
Time Waits for No-One runs at 131 BPM, a peak-time tempo track.
What mixes well with Time Waits for No-One?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Time Waits for No-One good for peak time?
With energy 93 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 131 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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