It's You - Original Mix
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 89/100
- Pop
- 24/100
- Length
- 2:59
- Released
- 2013
- Album
- It's You
- Genre
- House
- Loudness
- -2.7 dB
- ISRC
- GBSXS1300096
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's You - DJ Snake Remixremix8B · 128
- It's You - Ridiculous Mixoriginal9B · 128
- It's You - Chris Lake Remixremix8B · 128
- It's You - Gregor Salto Remixremix8B · 128
- It's You - Lil TExAS Remixremix6B · 130
- It's Youoriginal8B · 128
A peak-time tempo house cut, It's You - Original Mix sits in C major (8B) at 128 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Brighter than 89% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 89% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is It's You - Original Mix in?
It's You - Original Mix by Armand Van Helden is in C major, or 8B on the Camelot wheel.
What BPM is It's You - Original Mix?
It's You - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with It's You - Original Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is It's You - Original Mix good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.