It's You - Ridiculous Mix
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 5/100
- Length
- 3:55
- Released
- 2013
- Album
- It's You
- Genre
- House
- Loudness
- -2.9 dB
- ISRC
- GBSXS1300097
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's You - Original Mixoriginal8B · 128
- It's You - DJ Snake Remixremix8B · 128
- It's You - Chris Lake Remixremix8B · 128
- It's You - Gregor Salto Remixremix8B · 128
- It's You - Lil TExAS Remixremix6B · 130
- It's Youoriginal8B · 128
It's You - Ridiculous Mix runs 128 BPM in G major (9B), a peak-time tempo house record. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Hotter than 88% of Armand Van Helden's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is It's You - Ridiculous Mix in?
It's You - Ridiculous Mix by Armand Van Helden is in G major, or 9B on the Camelot wheel.
What BPM is It's You - Ridiculous Mix?
It's You - Ridiculous Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with It's You - Ridiculous Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is It's You - Ridiculous Mix good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Chapel (feat. WaveIQ) [Boys Noize Remix] by Boys Noize cover art](https://i.scdn.co/image/ab67616d00001e022a852a356f8008061e53a196){kind=small}
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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