Have I Had Sex
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 71/100
- Pop
- 2/100
- Length
- 8:23
- Released
- 2002
- Album
- Stupid Fresh #3
- Genre
- House
- Loudness
- -12.3 dB
- Dynamics
- 13.1 dB
- ISRC
- USA2P0503156
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in B minor (10A), Have I Had Sex is a peak-time tempo house production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2002 production that still circulates in sets. Faster than 93% of Armand Van Helden's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 89% of Armand Van Helden's catalogue
- Groove:
- groovier than 83% of Armand Van Helden's catalogue
- Brightness:
- brighter than 79% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Have I Had Sex in?
Have I Had Sex by Armand Van Helden is in B minor, or 10A on the Camelot wheel.
What BPM is Have I Had Sex?
Have I Had Sex runs at 133 BPM, a peak-time tempo track.
What mixes well with Have I Had Sex?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Have I Had Sex good for peak time?
With energy 71 out of 100 at 133 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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