Smeatons by Ansome cover art

Smeatons

Ansome

30s preview

Key
8A · A minor
BPM
128
Open Key
1m
Energy
83/100
Pop
0/100
Length
5:08
Released
2014
Genre
Techno
Label
Files Rec
Loudness
-6.5 dB
Dynamics
9.1 dB
ISRC
SEY4Y1400401

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Smeatons is a peak-time tempo techno track in A minor (8A) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Ansome's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 96% of Ansome's catalogue
Groove:
groovier than 88% of Ansome's catalogue
Energy:
calmer than 83% of Ansome's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood7Dark
Groove78
Acoustic0
Instrumental78
Live13
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Smeatons in?

Smeatons by Ansome is in A minor, or 8A on the Camelot wheel.

What BPM is Smeatons?

Smeatons runs at 128 BPM, a peak-time tempo track.

What mixes well with Smeatons?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Smeatons good for peak time?

With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#Track

More techno

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track