Get em all
30s preview
- BPM
- 130
- Open Key
- 5m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:30
- Released
- 2017
- Genre
- Techno
- Loudness
- -6.5 dB
- Dynamics
- 7.7 dB
- ISRC
- CA5KR1566221
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get em all - Steve Shaden remixremix3B · 131
At 130 BPM in D♭ minor (12A), Get em all is a peak-time tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 91% of AnGy KoRe's catalogue
- Low end:
- more bass-heavy than 89% of AnGy KoRe's catalogue
- Brightness:
- darker than 75% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Get em all in?
Get em all by AnGy KoRe is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Get em all?
Get em all runs at 130 BPM, a peak-time tempo track.
What mixes well with Get em all?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Get em all good for peak time?
With energy 85 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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