Take Control by Monococ cover art

Take Control

Monococ

30s preview

Key
3A · B♭ minor
BPM
130
Open Key
8m
Energy
84/100
Pop
1/100
Length
7:02
Released
2024
Genre
Techno
Loudness
-8.8 dB
Dynamics
18.2 dB
ISRC
US83Z2483097

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Take Control: peak-time tempo techno, B♭ minor (3A), 130 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). More treble-tilted than 99% of Monococ's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 91% of Monococ's catalogue
Tempo:
faster than 89% of Monococ's catalogue
Energy:
hotter than 78% of Monococ's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood9Dark
Groove79
Acoustic0
Instrumental91
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Take Control in?

Take Control by Monococ is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Take Control?

Take Control runs at 130 BPM, a peak-time tempo track.

What mixes well with Take Control?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Take Control good for peak time?

With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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