
Dark Mind - Tom Eirh Remix
- BPM
- 128
- Open Key
- 3m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:32
- Released
- 2013
- Album
- Dark Mind
- Genre
- Techno
- Loudness
- -4.7 dB
- ISRC
- GBKQU1339815
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dark Mind - Electrorites Remixremix3B · 128
- Dark Mind - Horn Porn Fire Remixremix4A · 130
- Dark Mind - LAMPENFIEBER Remixremix1B · 128
- Dark Mind - Mik Izif 666 Remixremix11B · 128
- Dark Mind - Original Mixoriginal4A · 128
- Dark Mind - Sebastian Groth Remixremix3B · 130
Against the original (4A at 128 BPM), this version holds the same tempo and moves the key from 4A to 10A.
Dark Mind - Tom Eirh Remix: peak-time tempo techno, B minor (10A), 128 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 98% of AnGy KoRe's catalogue
- Tempo:
- slower than 84% of AnGy KoRe's catalogue
- Groove:
- groovier than 82% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dark Mind - Tom Eirh Remix in?
Dark Mind - Tom Eirh Remix by AnGy KoRe is in B minor, or 10A on the Camelot wheel.
What BPM is Dark Mind - Tom Eirh Remix?
Dark Mind - Tom Eirh Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Dark Mind - Tom Eirh Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Dark Mind - Tom Eirh Remix good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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