Dedicated to Boston’s Waste Management System
- Key
- 7A · D minor
- BPM
- 80
- Double-time
- 160
- Open Key
- 12m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 4:05
- Released
- 2011
- Genre
- Downtempo
- Loudness
- -9.3 dB
- ISRC
- GBEWA1100431
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 80 BPM in D minor (7A), Dedicated to Boston’s Waste Management System is a downtempo downtempo production. It reads as dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Andrew Bayer's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 97% of Andrew Bayer's catalogue
- Groove:
- less groove-driven than 78% of Andrew Bayer's catalogue
- Brightness:
- darker than 76% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dedicated to Boston’s Waste Management System in?
Dedicated to Boston’s Waste Management System by Andrew Bayer is in D minor, or 7A on the Camelot wheel.
What BPM is Dedicated to Boston’s Waste Management System?
Dedicated to Boston’s Waste Management System runs at 80 BPM, a downtempo track.
What mixes well with Dedicated to Boston’s Waste Management System?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Dedicated to Boston’s Waste Management System good for peak time?
With energy 59 out of 100 at 80 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 80 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
More downtempo
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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